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Image
© Kathy Christian
Artist's
Bio:
As
long as I can remember I have painted what has surrounded me in my
everyday life. I am self taught and although years ago in the
USA
I won two art scholarships I never used them. Circumstances were such at
the time that made it impossible. When I was a kid and interested in
horses, I painted horses. Later I went on to win the Bay Meadows, CA
Jockey Club Award two years running for my race horse paintings. Then I
got interested in wildfowl and birds and focused on them. I entered many
State and Federal Duck Stamp contests in the
USA and exhibited at many decoy and wildlife art shows. For about five years I
became proficient at the art of Scrimshaw; miniature etchings on bone and
ivory. The material I used was fossilised mammoth ivory. I won multiple
awards in this medium. When it became unfashionable to do scrimshaw and my
eyes starting giving out doing the tiny work I gave that up.
About the same time I went to work as a handler of big cats at a
rehabilitation compound in California. That opportunity lasted for two years until the state funding
ran out. But that, combined with three trips to
Kenya
and
Tanzania, gave me the opportunity to observe big cats and African Wildlife
at close range. It was a unique opportunity and one that has left a
lasting impression on me. I then became quite engrossed in painting big
cats. Although I have not painted them for a few years I have recently
started to do some sketches that will lead to some new paintings.
I
have raised working stock dogs for about 20 years, including Australian
Cattle Dogs, Kelpies and Border Collies. This led to my painting them, of
course. I believe in capturing the personality of the dog and if possible
putting an emotion to the painting. Often it is a sense of humour I feel
they project. My painting “Too Cool” which is a picture of my old dog
Stanley
with sunglasses led to my doing the design for the “Bluey’s Utes”
chain.
Stanley
’s head with a pair of sunglasses on reflecting a ute (pickup
truck) can be seen on a decal on utes all over Australia. The last six years since moving to
Australia, working dogs, cattle and sheep are an integral part of everyday
life. This has dominated the subject matter in my paintings. In
addition I write for the International Sheepdog News, the I.S.D.S's
magazine, and have done so for about seven years.
I
love working in watercolour and gouache. I will also use some coloured
pencil in some pieces. I love detail and am fascinated by the intricate
work of talented arts such as Carl Brenders and Collin Bogle. I have
exhibited work in galleries in the USA and Australia. I have sold original work to clients all over the
world.
The
thinking behind the world trial painting "One Sheep Two Sheep, Red
Sheep Blue Sheep"
In choosing a pose for the World Trial painting I looked at hundreds of
photos of working sheep dogs from the previous World Trial and the past
few Internationals. I wanted to depict a scene that was typical of one
that would be seen at a World Trial event. The type of sheep used at a
UK
trial are definitely different than those worked in the
USA
and
Australia
. Also the type of dog had to be one that was “generic” and that
everyone could relate to. In addition the positioning of the dog in
relation to the sheep was important. I also felt that sheep are not just
sheep and they had to reflect some expression in reaction to the dog’s
movements.
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